2025 08 18

Fancy frog artwork of Ellie Pritts. Chicago, Illinois. May, 2025. © Clayton Hauck

As I continue to be couch-ridden as my body rids itself of this year’s Covid variety, my intake of random youtube videos remains steady. This video (below) popped into my feed likely due to the camera tech review, which I could care less about, but I’m glad it did! Yes, the technology is remarkable. I’ve been itching to play with a probe lens for years now (second in excitement only to my urge to shoot anamorphic lenses). While these things get me excited, they are also telling (to me). The simple fact that I have not made the effort to make it happen, to shoot some videos with probes and squished video, tells me that my level of passion isn’t quite there (compared to still photography). This is not to say things may change, but after some recent efforts to get back into shooting motion again, it’s the editing step that is a roadblock for me. My brain and my body resisting at all costs because it knows. It has been there before. Trapped in a room all hours of the day, as days stretch into weeks and time passes without your participation in it.

The other takeaway was less personal and more from a broad industry-perspective. The tools available now to even the casual shooter are remarkable. This trend will only continue, further eroding the previously-huge advantage high-end photo and video makers once had. It used to be wildly difficult and even more expensive to produce the level of quality casual youtube kids are now dropping weekly. With that, of course, comes the further reduction in rates being paid to execute this work for the people who want it made (which is also increasingly less as ad spend dollars move more and more to social media native content).

All that said, check out the video they put together with this cool tech! It’s really impressive, even with the faux-Attenborough VO (which also enforces my sentiments, I think).

-Clayton

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2025 08 17