Clayton Hauck Clayton Hauck

2025 12 06

Man fixes fence? Chicago, Illinois. December, 2022. © Clayton Hauck

Ever since I started photographing things, I’ve been attracted to strange and absurd moments such as this one, spotted out my studio fire escape. Rather hilariously, this entire fence blew over in a storm about a week later. I bring up this image today not as a way to compare myself to him, but the sentiment behind his work, which was always one I was drawn to and considered one of my biggest early inspirations. Martin Parr passed away today, a sad day for the photography community as a whole.

While I don’t have anything profound to add to that conversation, I will instead use this as a moment to turn inward towards myself. Regrets in my career have been a lack of focus on these moments that drew me to put a camera in my hand in the first place; a lack of keeping up on names like Martin Parr who inspired me to make this hobby my career; a lack of continuing to make these wacky snapshots for many years while distracted making better money on commercial projects.

Anyway, onward and upward. Grateful to still be here doing this hobby-as-job for whatever time I have!

-Clayton

PS - here’s a nice chat with Martin on Ben Smith’s Small Voice podcast

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2025 12 05

Boot for you, boot for me. Chicago, Illinois. December, 2022. © Clayton Hauck

This city will get its finances in order one way or another, eventually, maybe.

-Clayton

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2025 12 04

Roo the Dog. Chicago, Illinois. December, 2022. © Clayton Hauck

Am I actually a dog person? Having only had cats my entire adult life, we finally have a dog in the house. It’s been a bit of a learning curve, for sure, but I like the added structure the lil guy brings to my life. Cats, on the other hand, play in to your wily tendencies and accentuate your outcast persona. With a dog, I feel like a proper member of society! Even while wiping shit off the ground. In fact, likely because of it.

-Clayton

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2025 12 03

Attempting to hold back nature. Chicago, Illinois. December, 2022. © Clayton Hauck

Here’s a blurb I wrote for Cengiz Yar’s newsletter about my favorite photobook of the year:

While perhaps not as easily digestible as Daniel Arnold’s You Are What You Do (Loose Joints), my close runner-up for photobook of the year, Zed Nelson’s The Anthropocene Illusion (Guest Editions) is one of those projects that comes along and transcends the genre of mere photobook to become something far more significant. In our modern world of *gestures broadly*, this book does more to communicate where we’re at as a species than perhaps any work of art I’ve yet encountered. They say a picture is worth a thousand words, yet photography continues to be such an underrated form of art. This title shows what’s possible when you harness those unsaid words within its pages, filling it with such rich and complex meaning and narrative, while simultaneously being beautiful to look at. Because of this I can’t help but consider it my favorite of the year for what it’s able to communicate. Of course, not everyone will see it this way. That, too, explains how we’ve ended up where we are. *gestures broadly*

Favorite: Zed Nelson’s The Anthropocene Illusion (Guest Editions)

Runners-Up: Daniel Arnold’s You Are What You Do (Loose Joints), Jake Knapp’s Trump, Colorado (Constituent)

-Clayton

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2025 12 02

Mouse. Chicago, Illinois. December, 2022. © Clayton Hauck

So what jobs are we all getting next?

My youtube obsession continues, with the video below hitting my feed as I was updating the bookshop inventory. I know almost nothing about tattoos, don’t have any myself, and likely never will. That said, I found this video wildly fascinating and informative. Realistically, there are many parallels to my own photography industry. The job market of the future continues to terrify me. Anyway, back to work.

-Clayton

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2025 12 01

Keep Havin a Good Day! Chicago, Illinois. December, 2022. © Clayton Hauck

Soooo close to being caught up on posts, yet still so far! This entire year has felt like I’m running on one of those moving walkways you find at the airport only I’m heading in the wrong direction. Doing far too many things so the gains all feel small and insignificant in the moment. Hopefully when I take a beat to relax and catch up on life, I’ll have a chance to take it all in and see and appreciate the gains. If not, I’ll have this picture hanging on my wall to keep me sane.

-Clayton

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2025 11 30

Kid on break. Chicago, Illinois. December, 2022. © Clayton Hauck

I’ve become quite obsessed with my fake internet visitors from China. Over 76% (up from 73%) of This Here Blog’s traffic comes from Unknown, China. While it’s quite clear these are not real people and I must be on some ominous list, it’s remarkable how the dopamine hits to my brain are still pleased by the jump in “engagement.” Once the mysterious computers in a dark basement in Shanghai get redirected elsewhere, I’ll feel like this distraught kid on the floor, wondering where all my imaginary friends ran off to.

-Clayton

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2025 11 29

Bugs gunna bug. Chicago, Illinois. December, 2022. © Clayton Hauck

Are You a Killer?

You have to kill. It’s a non-negotiable. Are you killing people or animals or ideas or dreams? In order to advance in this world, you have to be a killer. This is my biggest internal struggle. It’s a core belief, because it’s a fact. If you want to be or do anything, you need to kill. If you refuse to kill anything, you yourself will soon perish. Survival of the fittest they call it. But something I wonder, what’s the point of all the killing. Can’t we just be friends and lay in the prairie and enjoy the flowers? Even now, I’m killing the vibe.

-Clayton

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2025 11 28

Plant. Chicago, Illinois. December, 2022. © Clayton Hauck

-Clayton

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2025 11 27

The 606 in winter. Chicago, Illinois. November, 2022. © Clayton Hauck

It used to be that I’d walk the 606 almost daily, as my studio and home are both located alongside of it. These days, however, I find myself taking a different path, through the neighborhood, mostly because it’s a slightly more direct and quicker route. The few minutes saved on each trip may add up over time and allow me to be more productive, but realistically the scenes and human encounters I am missing as a result are likely more detrimental. There’s a clever analogy in here somewhere but I’ll let you figure it out. I don’t have time for that today.

-Clayton

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2025 11 26

Night shade. Chicago, Illinois. December, 2022. © Clayton Hauck

Almost caught up on posts! I vow to never fall so behind again! Will this here blog exist in 2026?

-Clayton

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2025 11 25

That Tiny House. Chicago, Illinois. December, 2022. © Clayton Hauck

Here it is! My oldest known capture of That Tiny House on the Ricoh GRiiix. Perhaps it will be a book one day.

Follow the tag link to see more! One logistical issue I’m a little bummed about is that I start a new blog each year and I’m unable to carry tags over from previous years. Maybe one day I will find myself with far too much time on my hands and I will migrate everything over to a new platform. But realistically I doubt this day will come.

-Clayton

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2025 11 24

New flag, who dis? Chicago, Illinois. December, 2022. © Clayton Hauck

Previously, I wrote about how much of the traffic to this here blog has been coming from China (See: 2025 11 07). Well, that trend has only accelerated since that post and I’m now seeing over 70% of all traffic being of Chinese-origin. The only logical conclusions I can draw from this are:

  1. I’m big in China!

  2. My previous most frequent site visitor (my mom) has a computer so riddled with Chinese spyware and malware that her USA-based desktop computer is showing up as being Chinese.

  3. My blog host (Squarespace) recently sold out to private equity and the new owners are boosting traffic to owners of websites with fragile egos (myself) in hopes to get us to stick around and pay them more money.

Whatever the actual reason for this situation, I will now translate each blog post into Mandarin Chinese (for my loyal readers who never comment and may not be human) in hopes to further increase my reach in my new favorite country:

之前我写过,这个博客的大部分流量都来自中国(参见:2025年11月7日)。自从那篇文章之后,这个趋势只增不减,现在我看到超过 70% 的访问量都来自中国。对此我只能得出以下几个合乎逻辑的结论:

  1. 我在中国很火!

  2. 我之前访问我网站最频繁的人(我妈),她的电脑大概已经被各种中国的间谍软件和恶意软件折腾得不成样子,以至于她在美国的台式机现在都被显示成来自中国的流量。

  3. 我的博客主机(Squarespace)最近卖给了私募基金,新老板为了让自尊心脆弱的网站主(比如我)继续留下并付更多钱,正在人为地提高我们的网站流量。

不管实际原因是什么,我现在决定把每篇博客文章都翻译成中文普通话(献给我那些从不留言、也许不一定是人类的忠实读者),以期在我如今最喜欢的国家进一步扩大影响力

-Clayton (拜拜)

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2025 11 23

Allison. Chicago, Illinois. December, 2022. © Clayton Hauck

My wife (pictured) does not like this image. Clay (a published photographer) told me it’s his favorite image in my zine.

One of my big recent lessons has been that in practice, an image being good or bad has far less value than I’d previously placed upon it. More important to the work, I’m learning, is the context in which the specific image is placed. Is it alone on a print or in the middle of a book? Is it resting in a blog page with words below it or included in a web portfolio?

My first zine project (Pointing at Stuff 001, available now!) was very much a working lesson in world building and narrative forming. I won’t tell you I’m a master at thees things just yet, but I now feel like I’ve got at least one foot on the foundation and am excited to see where the next step takes me.

-Clayton

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2025 11 22

Life finds a way. Chicago, Illinois. December, 2022. © Clayton Hauck

-Clayton

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2025 11 21

Our first president. Chicago, Illinois. December, 2022. © Clayton Hauck

-Clayton

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2025 11 20

I AM RICH. Chicago, Illinois. December, 2022. © Clayton Hauck

One thing I hadn’t previously considered is that perhaps the owner of this vehicle is named Rich. I think this goes a long way in describing the reality that I spend far too much of my time these days worried about finances.

-Clayton

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2025 11 19

Kenneth at See You Soon. Chicago, Illinois. December, 2022. © Clayton Hauck

More images from the zine… my first zine… which is more of a book, depending on who you ask. It is also the name of this website.

-Clayton

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2025 11 18

Classic martini. Rainbo, Chicago, Illinois. December, 2022. © Clayton Hauck

It used to be the martini was a complete turn-off to me. The glassware shape was stupid and the drink wasn’t worth consuming. Of course, as we get older, our perspectives change. You learn, through the years, that most often things are classic for a reason, and it’s not unusual to be wrong about viewpoints you once held firm. Wrong and right is relative, for sure, but there’s no debating the martini is a classic cocktail for good reason.

-Clayton

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2025 11 17

Photographing “The Pope.” See You Soon, Chicago, Illinois. October, 2025. © Clayton Hauck

Here’s a lil behind-the-scenes peek during a recent Chicago Magazine cover shoot at the studio.

-Clayton

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