2026 03 18
ust a quick Note To Self today: when you have a vision that feels like destiny, that feels like itās meant to be but it doesnāt work out as you thought it would, this isnāt necessarily a bad thing. Pivot, change, adjust, and adapt. Things often happen for a reason and sometimes the reasons are good, even when you donāt fully comprehend them.
2026 02 02: Making Art Make Cents
Thereās this vague vision Iāve had formulating in my head for a few years now. Itās not fully formed, but I want to start communicating it more to suss out whether Iām on to something of full of it.
Photography has been an āugly stepchildā of the art world for as long as Iāve been a photographer (in part, this is why Iāve largely avoided the art world), but I donāt think it needs to be this way. I continue to think of photography as a wildly under-rated and under-represented form of art. Without getting into why this is or isnāt the case here today, I will instead focus briefly on how we may be able to change this perception a bit.
Do what musicians do (I write this as I passively watch The Grammys)!
Compared to music, photography is a brand spankinā new art form. The idea is not to compete with music, but instead to take a page from how bands and musicians are able to make their practice work and bring some of these ideas over to the world of photography. Much like releasing LPs and EPs, we can and should put out books and zines. While this is not a new idea in any capacity, we could be taking it a step further by touring ā a photographer releases a project and then hits the road; pounds the pavement; communicates to the people directly, in places and spaces not previously familiar. Bring your work to the people. Become a traveling (art) salesman. Everything is sales, after all.
Musicians have had the luxury of mass transmission of their art for for decades now, however, this hasnāt been the case with photography until only recently. The internet and social apps have allowed us lowly photographers to get our work out in front of the world for the first time ever, only recently. You no longer need to be Ansel Adams to have your work seen, you can be Clayton Hauck. Of course, this has created a ton of less desirable side effects in additon to the benefits, but letās focus on the bright side of things, today!
It makes sense to bet on ourselves, as photographers, and help push our art form forward. Nobody is going to do it for us. The corporations who run the apps sure as hell wonāt.