2025 06 10
A glance back in time. Pontiac, Illinois. June, 2024. © Clayton Hauck
I was sent this video (below) and told to watch it, after seeing it pop into my feed and deciding not to (I follow Smarter Every Day but am trying my best to cut down on my youtube time lately). I’m glad it did seep into my brain (thanks Dave!). Honestly, the video resonates with me in so many ways I’m not even sure where to begin. Instead, I will only suggest you give it a watch yourself and see what you take away from it (it’s entertaining, too!).
The one thing I will relate it to here is my ongoing “Ill Wandering” photo project. While out exploring the state, I encounter so many places that clearly feel lost to time. This idea that America has declined, or at the very least changed beyond recognition, is real for so many people. I won’t even begin to get into the complexities here, but will say it’s something I spend a lot of time pondering and hopefully even more time documenting in the months and years ahead.
Oh! Also, I will be showing a few images from the series, for the first time ever, on June 20th during a photography show at my studio… just need to figure out which ones, which is always the hard part for me.
-Clayton
2025 01 03
This camera is so far gone but I continue to use it nonetheless. I tell myself I like the look the layer of dust is giving me. Honestly, I kind of do. Each time I go to buy a new one, they are not available. Everyone loves the Ricoh, apparently. Plus, spending a thousand bucks doesn’t sound very appealing right now. It’s probably time to attempt a surgery and see if I can’t remove some of this madness. If I fuck it up in the process, maybe it’ll get me to shoot more film again!
While researching the photographer Weegee (for no reason whatsoever!), I learned that he did a bunch of work with prisms later in his career. Interestingly, he did a series of images of Marilyn Monroe where her face is all distorted but you can still tell it’s her. It’s the kind of thing you might find profound in high school art class.
This is why I think I’m making groundbreaking work here with my Dirty-Sensor Ricoh. It’s profound and amazing. Maybe I will start to sell cameras that have dirty sensors to high school photography students!
Oh yeah, the creative resolution post is still in the works. Will get to it, eventually. Probably.
-Clayton
The dust adds visual interest. Somewhere between Streator and Pontiac, Illinois. November, 2024. © Clayton Hauck
This camera is so far gone but I continue to use it nonetheless. I tell myself I like the look the layer of dust is giving me. Honestly, I kind of do. Each time I go to buy a new one, they are not available. Everyone loves the Ricoh, apparently. Plus, spending a thousand bucks doesn’t sound very appealing right now. It’s probably time to attempt a surgery and see if I can’t remove some of this madness. If I fuck it up in the process, maybe it’ll get me to shoot more film again!
While researching the photographer Weegee (for no reason whatsoever!), I learned that he did a bunch of work with prisms later in his career. Interestingly, he did a series of images of Marilyn Monroe where her face is all distorted but you can still tell it’s her. It’s the kind of thing you might find profound in high school art class.
This is why I think I’m making groundbreaking work here with my Dirty-Sensor Ricoh. It’s profound and amazing. Maybe I will start to sell cameras that have dirty sensors to high school photography students!
Oh yeah, the creative resolution post is still in the works. Will get to it, eventually. Probably.
-Clayton