Clayton Hauck Clayton Hauck

2025 10 18

Night scene. Chicago, Illinois. May, 2025. © Clayton Hauck

Having lived in the same general area for twenty-some years now, it’s always a memorable moment when I stumble down a street that I’d never previously been down. This was one of those streets and I loved the vibes of this house.

The other day, I had the thought that it would be nice to make this blog a bit more robust, immediate, and interactive. I could post and write about things as they happen in my life and make the whole thing a bit more purposeful, instead of the random spur-of-the-moment grab bag it has been lately. But considering I’m days behind on posting and severely behind on other life tasks, I’m not sure how realistic of an idea this is. All that said, I think a bit part of why I’m so behind on various parts of my life lately is in fact because they are lacking a defined purpose. Posting a photo a day just because is nice in theory, but what’s the deeper meaning behind doing so? Is is just because I have folders full of images and I need to put them somewhere? That’s nice, but it’s not keeping the creative juices flowing as much as it had been and perhaps it is time to find a new angle around here.

More on this later.

-Clayton

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2025 10 01

Night moon. Where’s your focus? Douglas, Michigan. October, 2024. © Clayton Hauck

The Anecdotal Evidence That Keeps Me Up At Night
by Clayton Hauck

The thing is, I’ve been a commercial photographer for over a decade now. Close to 100% of my working time and energies were put towards this profession, weird as it can be. When things were good, they were very good. And when things were bad, well, they were still relatively okay. I was able to make a respectable living doing this work and had close to zero complaints about the deal. It’s still kind of hard to believe I bought a house through making photos.

As I sit in my photo studio today, things are about as different as can be from the pleasant picture I’ve just laid out. Even the studio I now run was opened more as a compliment to my existing commercial photography business. While the reasons are plentiful, I’ll soon get to the specific one I thought of this morning while cleaning up the studio. But first a bit more detail on where my focus is now: yes, I’m still a commercial photographer but my focus is far more split both within the profession and outside of it. I’m now directing and shooting video, and putting a lot more effort towards the art photography world (perhaps teaching is in my future, as well). This has been wildly motivating for me, which is nice, but I’m still super level-headed about the realities of making a decent living through this line of work. Secondly, the studio that I opened without much thought to profitability is now being handled entirely differently. Making this place make money is priority number one, and if I can’t make that happen, it will have to go. Thirdly, I’m now running a photobook shop called realmbooks.co. Much like my newfound artistic photography practice, this side hustle has given me a lot of excitement and motivation, however, I’m equally as level-headed about its chances at producing a living wage for myself. What makes me feel better about this difficult financial reality is that it’s very complimentary to my photography work, and in many ways I feel like I’m back at school learning a ton of new things (without the baggage of student loans).

All this to say: my life is wildly different now than it was even a few years ago. My time is being spread very thin amongst all of these new practices and I have very little downtime to relax and socialize. Fortunately, much of the work is work that is often enjoyable. This helps me justify things.

So why the need to put myself into this situation, you may ask. Here’s the anecdotal story as told from my perspective as a photo studio operator:

Last year we had a client do a shoot in our space. It was all more or less normal aside from my own observation that the photographer was being wildly over-worked for what they were likely being paid. It was a relentless shot list (this is not unusual. Most of my shoots are also this way), but they didn’t have the budget for an appropriate support crew, so I got the sense everyone was miserable. This was the first warning. It’s increasingly hard for Clayton the commercial photographer to compete with the countless productions being run on a far lower budget than I will ever be able to compete with. It is what it is and I don’t take this personally, as I was once the young and scrappy photographer doing things for far less than the established photographers would ever think to do them for.

Fast forward a year and this same client pops back onto my radar asking for studio availability to do a photo shoot last minute. Cool! The space is available and I could very much use the rental income. A few days go by and word comes they decided against the shoot altogether. Fine, it happens. But the reason they decided against it is the thing that has me scrambling to find a half dozen new jobs — they’re just going to run the images they made internally using ai.

Some of us don’t think it’s coming. Some of us are scared shitless. Nobody yet knows how this will all play out, but my previous cautious optimism has cooled quite dramatically. Now, my current base-case thinking is that nearly all jobs linked to the creation of visual images for commercial use (be it stills, video, animation, etc, etc) will either be gone completely — outsourced to ai — or vastly diluted from a price-leverage perspective within just a few short years.

If anyone wants to rent my studio for a birthday party, wedding, baby shower, or hell maybe even an old-fashioned photo shoot you know where to find me!

-Clayton

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2025 09 30

Mysterious house. Chicago, Illinois. October, 2024. © Clayton Hauck

I’m not entirely sure why, but most times I pass this house I feel an urge to make a photo of it.

-Clayton

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2025 08 26

Moon over church. Chicago, Illinois. June, 2025. © Clayton Hauck

-Clayton

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2025 08 16

That Tiny House. Chicago, Illinois. August, 2024. © Clayton Hauck

I think it’s time to start a new ongoing series. That Tiny House. You may know it, you probably don’t love it as much as I do, but there she is!

In other news, I got Covid. In other other news, I think I may ditch this blog platform… it’s both a poor way to showcase my writing and a bad platform for sharing images. But yet another personal project is not what I need right now, so we’ll stick with it for the time being.

-Clayton

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2025 08 13

Kenneth. Petzval lens testing. Chicago, Illinois. February, 2025. © Clayton Hauck

Testing a fun new lens out at the dark bar. I shot a lot of video, as well, which I’ve promptly done nothing with. Classic me!

-Clayton

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2025 08 05

House at night. Chicago, Illinois. June, 2025. © Clayton Hauck

-Clayton

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2025 08 04

Salt Shed. Chicago, Illinois. April, 2025. © Clayton Hauck

Sometimes you leave the house and realize there’s a whole world of things happening. Often, when out, I get the sense that I really should be getting out more. But then I quickly rediscover my house and stay there for weeks or months on end.

I used to leave the house all of the time! This year, Lollapalooza came and went and I hardly even noticed it happening. I’d get more into this, from a photographer-that-used-to-be-there-every-year’s perspective, but I honestly don’t think it’s worth my time or yours.

See you out there!

-Clayton

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2025 08 01

Slappy Curb. Chicago, Illinois. November, 2022. © Clayton Hauck

-Clayton

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2025 07 01

Dead plant. Chicago, Illinois. June, 2025. © Clayton Hauck

While out doing yard work this morning, I was pondering the idea of time, and how it’s so beneficial to work on tasks with the figurative wind at your back. It took me hours to give our yard a minimal dose of needed water, as I aim to help the plants I wish to thrive grow as big as they can in the time they have. Had Mother Nature decided to do the job for me, it would have been completed in mere minutes without my assistance. This may be an obvious observation, but lately I’m using this analogy quite a lot in my own life. As my list of tasks grows larger than possible to accomplish as one person, I can either choose triage or expand my capabilities through the help of others. Neglect is, of course, also an option. Like this plant, parts of my life will wither and die, with likely undesired weeds taking their place.

The garden is life. Everything can be compared to the garden.

-Clayton

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2025 06 07

The moon over White Pines Forest State Park, Oregon, Illinois. May, 2025. © Clayton Hauck

On Saturday mornings, my routine is to watch my rocket show after waking up. I put on my glasses, stumble downstairs, grab some cold brew and see what sort of wild adventures humans are up to this week. The show is a weekly youtube production by Marcus House which succinctly recaps whatever space exploration news happened during the week. This new hyper-focused DIY sort of media is one of the reasons I continue to be obsessed with youtube and spend far too much time consuming it.

Anyway, if you’re like me and find space exploration fascinating, check out Marcus’ channel.

-Clayton

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2025 05 07

A storm is a-brewin’. Olney, Illinois. April, 2024. © Clayton Hauck

I wrote a thing about an annoying work situation but feel like I can’t talk about that publicly, even without naming names, because it will get into the ears of the people I was writing about and nothing good will come of it. What I will say, however, is that the photography gods are doing their best at keeping me away from commercial photography sets these days. Portraits is what I do now. That, and Illinois Wandering. Oh, I’m also really excited about some video ideas I have. Perhaps losing bids is a good thing, after all.

-Clayton

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2025 05 06

People on the move in May. Chicago, Illinois. May, 2024. © Clayton Hauck

I love the feeling of springtime, aside from the allergy flare ups. Yesterday, I got hit with a paralyzing bout of allergies. I’m not sure what it is, but I know it’s the worst.

-Clayton

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2025 04 04

Car. Chicago, Illinois. January, 2025. © Clayton Hauck

There’s this car on my block that I have obsessively been making photos of. I don’t know enough about cars to know why I like it, but I think it’s a Japanese import, and I love the old-school lines. This is one of the pictures I made, edited in a style that I don’t normally do. The digital grain melting into the fine snow particles is nice, I thought.

-Clayton

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2025 03 26

The city at night. Chicago, Illinois. February, 2025. © Clayton Hauck

Recently I was downtown for an event and afterward, I made an effort to wander a bit. The streets were eerily silent. I dipped into Billy Goat for a burger and a beer along with the three or four other humans (more staff than guests) who seemed to be out, for whatever reason, either running away or towards something.

A great idea then struck my brain: I would get a scooter and ride home like the wind. This led me astray in search of one when the big lights in the distance caught my eyes. “Hooter’s,” it said. Not yet having my fill of adventure, and recalling the news of the likely demise of yet another fine American establishment, I stepped in.

“Seat at the bar okay?” I asked the greeter (again, more staff than guests), and she motioned me inward. The wings came soon after and boy did I wonder why the joint wasn’t full of customers enjoying them. These things are delicious! I kicked myself for being too timid to frequent Hooter’s all my life for the wings alone.

I left as they were locking up. The man alone at the bar turned out to be an undercover security guard or manager, as I suspected (more staff than guests). I guess everyone gets their wings delivered to them from some other chain these days?

Across the street sat a fully charged scooter glowing in the darkness with my name on it. I rode like the wind just as I’d imagined I would, turning here and there into which ever dark street didn’t look familiar. This was an adventure and I had the city to myself. All the way home I rode and contemplated how cool it would be to start a scooter gang. Surely, this must be how the first gang was formed way back before the police cornered the market on gangs.

-Clayton

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2025 03 18

Doggie Day Care. Baltimore, Maryland. September, 2024. © Clayton Hauck

Apologies for the lack of content lately, I’ve been busy starting a new business.

-Clayton

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2025 03 17

Somewhere in northern Illinois. March, 2024. © Clayton Hauck

Back from a gig down in St Louis and a few days of Ill Wandering (lots of time on the road — need to prioritize less driving next time) and I’m catching up on life, getting back into the routine of things. This week, I aim to make my new website go live. More on that soon. I’m also preparing for a talk going down in two weeks time in which myself and fellow photographer/friend Jason Little will discuss how we use personal work in our practice. I feel like lately all I do is personal work, so I should have much to discuss. I’ll aim to make it worthwhile for both those in attendance and myself.

-Clayton

PS - on the topic of photography, this video by Noah Kalina hit my feed today and I really enjoyed it. Give it a watch, if interested.

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2025 03 03

Night house. Chicago, Illinois. January, 2025. © Clayton Hauck

In the dead of the night, I was awoken and caught a glimpse of what my brain was working on while sleeping. It’s always remarkable to me how busy our brains seem to be while sound asleep. Maybe this isn’t always the case, but it seemed as though mine was working in overdrive. It felt like my brain was rewiring itself, shifting its focus entirely towards video production. I had all sorts of videos playing out, filled with specific concepts, shot ideas, lighting schemes, transitions, edits, experimental techniques, graphics, etc. It was both exciting and daunting, waking up to realize the ideas exist in there but to actualize them will require focus, dedication, and time. That’s the main hurdle that has kept me away from video for a decade now.

I think watching the Oscars and seeing best director Sean Baker’s enthusiastic acceptance speech shamed my subconscious into attempting to make up for a decade of neglecting the artistic passion (filmmaking) that got me started on this journey I am currently on. The challenge will be avoiding decision fatigue and over-analysis, resulting in nothing being accomplished at all. There are a hundred ideas floating around in my brain, which is exciting, but spending each day thinking about them all — dreaming of them — while not doing anything about it will only give me a blog full of mediocre posts that few people see and not much else to show for it.

Enough dreaming. Time to create.

-Clayton

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2025 02 14

Allison in moonlight. Douglas, Michigan. October, 2024. © Clayton Hauck

Happy Valentines to my forever valentine, Allison. xoxo

-Clayton

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2025 01 24

I’ve always loved images made at night that feel like daytime. Day for night. This was a wild moon scene we encountered while out comet hunting and it almost looks like a stopped down photo of the sun mid-day.

-Clayton

Moon or sun? Benton Harbor, Michigan. October, 2024. © Clayton Hauck

I’ve always loved images made at night that feel like daytime. Day for night. This was a wild moon scene we encountered while out comet hunting and, upon reflection, it looks like a stopped down photo of the sun mid-day.

-Clayton

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