2025 06 25
I’m Looking Through You by Tim Davis. Chicago, Illinois. August, 2024. © Clayton Hauck
Photobook Review: I’m Looking Through You by Tim Davis (Aperture)
Tim Davis is a guy who can write as well as he can make captivating images. Not only that, his style — vivid and humorous — comes through seamlessly in both forms. Definitively Tim Davis. Yes, that Tim Davis.
It was while wandering Expo (circa 2024. Yeah, I’m slow) over the summer that I stumbled upon the Aperture photobook store. Lustfully, I approached the booth with plans to fill a bag full of books, costs be dammed. I’ve been obsessing over Chicago’s lack of a good, dedicated photobook shop so was determined to take in the scenery fully, while contemplating the effort it might take to create a space like it myself somewhere in this barren town. While scanning the titles, one stood out from the pack, with its marbled colorful edge, bold colors, and the name of a photographer I was vaguely familiar with.
Tim Davis has a sense of humor very much in line with my own, as was apparent immediately through a quick flip through his book titled I’m Looking Through You. Into the bag it went! And home it sat on a shelf. For a few months, without being opened. I’m a busy important guy!
When I eventually found the time to crack it open and take it in, I was met with a dizzying succession of remarkable photos. To be quite honest, I was rather annoyed by how seemingly easy it is for Tim to grab such punchy human moments. Either that, or the man spends every waking hour canvassing the streets of the LA Area with his camera. His photos, good yet attainable, give you the sense that you, too, could be experiencing these moments if only you knew the right places to go.
Even the pictures I don’t really like — two dudes wrestling on the floor — make sense and become hilarious once you take everything in, words included.
But then there are the good ones! All-time classic images. Hilarious and relentless. The image made over the shoulder of someone in a cafe, fresh cup of coffee, peeping into his computer screen which shows a blank video project timeline — it’s an image that, for me, sums up the creative process. It’s how I feel sitting here with an empty Notes page staring back at me. And it’s amazing to see it visualized so perfectly in a photograph.
Giddy with joy, I even snapped a few photos of the images inside the book with my phone camera; a genuine stamp of approval from myself, a fellow competent photographer, as I bank images into my mental Things to Copy folder inside of my brain.
Tim mentioned his relocation to Los Angeles in search of fresh subject matter, along with his confident declaration that he knows how to make a good photo (“I know how to wrestle or squeeze significance out of almost any situation”). In some sick way, this confidence in his competence weighs things down a bit too much. We become overwhelmed by the zany, grasping for a baseline reality. All of life can’t be this fantastical, can it? Am I just not looking carefully enough? (Are the back to back tree images put in there to give us mere mortals a breather, Tim?). It’s the writing that rounds everything out and makes the whole thing make sense. Much like his photos, Tim’s writing style is one that makes me jealous in its ease of style and humor.
Since beginning to write this review roughly one year ago, I now have a photobook shop (kind of!). Here’s a blurb from my pop-up shop, Realm:
If you enjoy street photography or humor in art form, this book is a must buy. Great for yourself; great as a gift; or great as a special leave-behind on a public bus seat, for our generous customers looking to spread a little more joy through a world in serious need of becoming a bit less serious. This book is everything we love about photobooks.
(Editor’s note: Realm does not currently stock this title, which is a shame. We’re working to remedy this situation!)
Addendum
Robert Adams wrote:
Probably the best way to know what photographers think about their work, beyond consulting the internal evidence in that work, is to read or listen to what they say about pictures made by colleagues to precursors whom they admire. It is as close as photographers usually want to come to talking about their own intentions.
Yes. This is a book I very much wish had my name on the cover. Bravo, Tim Davis.
-Clayton